Compare and Contrast the Speakers Essay Example for Free

Compare and Contrast the Speakers Essay The Road Not Taken and Stopping by Woods on a Snowy Evening are both very good poems. I feel The Road Not Taken is one that reminds me of myself. I will tell you how they differ but at the same time are so much alike. In The Road Not Taken he lets us know that he has to make a decision. In order to make that decision he looks as far as he can to see what road he wants to take. He talks about how the path he took may have been the better on for him. It had been the one less traveled on. In Stopping by Woods on a Snowy Evening he also has a decision to make. He is walking with his horse in the woods. There are no other people around on this snowy night. He stops in the woods to watch them feel up with the snow. Even his horse thinks this is a strange thing that he is doing. It’s cold and dark, plus he knows he has miles to go before he can get any sleep. Now both speakers have a conflict to handle. One has to decide which path he will take while the other has to decide if he will stop in his path. They both are on a path and they both have to get to the end of their path. In The Road Not Taken he makes is decision by taking the path less traveled. Stopping by Woods on a Snowy Evening know he has miles to go in order to sleep so he can’t stop now. As you can see we all have choices to make and paths to travel. There will be things that come in your way that will get you off track, but you have to make sure you get on the path till the end.

Study of alberto Giacometti

Study of alberto Giacometti When working on Units 1 and 2 I was drawn to the human body and this was shown in my work. The human body has always been an interest so this is why I decided to study portraits for Unit 3. There were several things about portraits that interested me. First of all the idea of drawing/painting a portrait of someone and getting it to resemble that person was an exciting idea for me. At a younger age I was interested in getting a likeness of the models I would draw. I wanted to develop that ability. In the past when I had drawn from life I had only used pencil. By choosing this as my theme I knew this would give me the chance to draw portraits using other media. The first artist who helped me start this project was Pablo Picasso. I spent much time studying Picasso by looking at his different periods. I started with his African inspired work. However it wasnt until I studied his Rose and Blue Period that I really became interested in portraits. It was this era of his work that inspired me to study portraits. His works in the Blue Period captured my imagination. I feel they are powerful in capturing mood and emotion through Picassos use of colour, realism etc. This was something that pushed me in the direction of portraiture. I wanted to capture mood and emotion in my portraits. He was the inspiration that led me to study other artists including Giacometti and Lucian Freud. I studied artists which had relevance to my work and to the themes I wanted to explore. Alberto Giacometti: The first artist which I studied was Giacometti. The son of a painter, Alberto Giacometti was born in Stampa on October 10th 1901. He began to draw and model at an early age and in 1919 he enrolled at the École des Arts-et-Mà ©tiers in Geneva. He travelled in Italy in 1920-1921. He studied with the sculptor Émile Antoine Bourdelle at the Acadà ©mie de la Grande Chaumià ©re in Paris from 1922-1925. After sharing a studio in Paris with his brother Diego from 1925-1927, Giacometti set up his own. He would often use his brother Diego as a model. I studied his portrait of Jean Genet. Giacomettis technique with line drawing and gesture was something I wanted to explore through my own work. Another painting which reminded me of his style was a portrait of Giacometti. I chose this portrait because of the artists style in gesture drawing. I was interested by his ability to capture his models expressions through line and gesture drawing. I used this technique in my initial sketches in order to feel my way around the subject. Something that I found very interesting was choice in colour. The colours he uses in this particular portrait are all very warm (consisting of different shades of browns). They give a feeling of warmth and comfort yet the expression on the models face appears quite sad and cold. I found this to be somewhat of a paradox. This use of expressive colour I found very exciting and was a concept that led to more research for my project. I decided to paint a self portrait keeping these paints in mind. It led to the creation of a self portrait in this style using similar colours too. One technique the artist has used that I tried to show in my work was the layering of paint thickly. I felt this added volume and history to the portrait. Giacometti uses strong and thick layers of paint in order to emphasise the contrast between light and dark. He paints a dark figure on light background. I found the texture of the brush strokes very interesting but also hard to create in my own work. Giacometti usually focused on sculptures of the human body and for one of many portraits he created, this one shows how skilful he was at creating figures. I think the main aspect, of his paintings I have studied, that captures my interest is his style of painting. He uses free brush strokes and brush strokes which are applied like the crosshatching pencil strokes in a drawing. The shapes he creates with these brush strokes I think are most effective. I have tried to use mark making in my own work in this way. Francis Bacon: Having completed my self portrait I began to feel that it would be a good idea to try and capture expression in my work. I was interested in Francis Bacons expressions that he created in his models faces. Often distorting the faces, Bacons portraits and self portraits push the boundaries in portrait painting. The mood in his paintings is often sombre. Bacon uses dark colours such as dark green, blue and black. Much of his work conveys feelings of suffering and despair. His work is similar to that of cubist style painting and reminds me of Picassos work, such as the Demoiselles dAvignon, in particular the facial expressions of the figures. I studied The Screaming Pope. Bacon completed this painting after being inspired by Velazquezs portrait of Pope Innocent X in 1953. Bacon creates a claustrophobic and nightmarish scene. The figure of the pope is ghost-like. He looks dead or like he is dying. There is a haunted feel about the painting. The screaming face of the pope and the strokes down the painting adds to the horror of the image. One can almost hear his cries. I am not sure why Bacon decided to create such a horrific image of a religious figure who is seen by many as someone holy and graceful. Bacon may be expressing his feeling toward religion or to the concept of the pope. The fact that Bacon was a catholic who later came out as homosexual, perhaps he was suffering from quiet retribution. He may also have been challenging the status of the pope, shocking the public. Bacon had asthma as well as allergies to horses and dogs. During his attacks, he was given morphine, a strong drug, which may explain some of the creative expression in his work which have the quality of drug hallucinations. I am interested in this portrait; the colours convey a sense of horror. The use of purple and gold compliment each other very well but also signify riches and royalty. The black shadows in the background may represent growing shadows around the figure. The use of these colours and the dark aggressive feeling Bacon creates are very effective. When looking at the painting one can almost feel shivers down ones spine. The fact that you can see through the figures robes and that no legs are visible adds to the horror of this painting. After studying this painting I felt compelled to create a piece aiming to capture emotion in a similar way. I wanted to capture the expression in my portrait as Bacon did. I did another self portrait however this one differed from the first. I used different shades of blue acrylic paint. I did not however paint the whole face. Focusing from the nose down to the neck I painted a piece in which my mouth was wide open. I did this to try and capture a similar atmosphere which Bacon captured in The Screaming Pope. By focussing on the shapes created by the lips and cheeks, I was pleased with the result. However I think that perhaps the texture of the hardboard breaks up the brush strokes and makes the brush marks difficult to see. Lucian Freud: When it came to studying Lucian Freud I was amazed by the way he creates skin texture. One of his finest pieces of work was his self portrait entitled Reflection. Portraits and nudes are Freuds specialties and with this piece it is clear to see why. The thing I found most fascinating about this piece of art is the texture of the flesh. Freud seems to capture the raw and ugly nature of the human flesh. In this self portrait Freud has successfully captured every wrinkle and crevice on the face. He uses strong contrast in shadow and highlights and this is something I took into consideration with future paintings. His brushstrokes are carefully applied to create an accurate portrait, whereas Giacomettis portraits and figure drawings have a more abstract quality. Lucian Freuds portraits are so realistic that they become almost surreal. Freud captures every shadow and highlight in a meticulous manner and I was interested in achieving something similar in my own work. There is a strong significance about the colours and paint he uses: I want paint to work as flesh my portraits to be of people, not like them. Not having the look of the sitter, being them as far as I am concerned the paint is the person. I want it to work for me just as flesh does. www.about.com/painting Freud uses a granular pigment called cremnitz white to achieve his unique painting of the flesh. I mixed sand with paint to give more texture to my paint to imitate the texture. I thoroughly enjoyed working with it. I felt it added character to the portrait and made the texture of the skin far more interesting. I found the texture of the hair quite intriguing. I liked the rough and coarse look Freud creates and it was an option to try and achieve a similar look when painting my models hair. However the hair was probably the thing I had most trouble with. I struggled with texture and colour. Perhaps I should have spent more time studying how artists paint hair put it into practice before applying it to a large portrait. The expression in Freuds self portrait is interesting in relation to what it is I am trying to achieve in my work. I have looked closely at the forehead: the lines created from the artists frown. This was something else that I wanted to achieve in my own work. Final Pieces Self Portrait: This portrait was inspired by the portrait of Giacometti which I studied. Using similar colours I attempted to get that similarity to his work. For a first attempt I do not believe I achieved this. I did however succeed in getting a self portrait to actually look like me. This was a great boost of confidence for a first self portrait. From this piece I learned that I should create the background and plan it at the early stages of the portrait. I learned that the background is just as important as the face when creating mood or atmosphere. Oil Pastels on Brown Paper: This was the first time I used oil pastels for a large piece. My aim was to try and set a mood of strong emotion, so I went for feelings of anger and rage. This idea was inspired from paintings from artists such as Picasso and Bacon who use colour to manipulate the mood of their work. I used a strong red to achieve this, combined with black for shadows, orange for mediums and yellow and white for highlights. I drew from life. While looking in a mirror I tried to draw myself with an expression of anger. From this piece I learned how effective colour is in a portrait. For example I could have used a different colour other than red and a different feeling of emotion may have been evoked. Open Mouth Acrylic on hardboard: The aim with this piece was to capture emotion, a feeling of pain, fear or shock. I thought the use of different shades of blue would emphasise these feelings. This was influenced by works from Francis Bacon. The emotion in some of his paintings such as The Screaming Pope appealed to me and I wanted to portray that emotion through my work. However, I decided to take a different approach. Rather than painting my whole face I focused only on the bottom half, from the end of the nose down to the chin. My intention was to capture the emotion from just the open mouth, as I felt that is where most of the strong feelings of emotion exist in Bacons The Screaming Pope. Eyes can often show a persons true feelings, so I wanted achieve this without painting the eyes. The recycling of the hardboard was chosen to give myself experience working with other material. I used the rough side of the board to add texture and to give the piece some more character. In all I felt I had successfully created feelings such as pain and fear through not just my use of a cold colour like blue, but by focusing on the wide open mouth. Portrait of Brother: On A3 paper, I drew a portrait of my brother in pencil, from life. Before this I had practiced drawing portraits in pencil from photographs. This was to prepare me for drawing from life. I wanted to get an idea of shading, proportion, texture, etc. It was a challenge drawing from life as I was quite comfortable with drawing from photographs, however I needed to take that step in order to develop my skills in drawing portraits. Looking at the portrait now I see it lacks in volume. An obvious problem was that I only had a 4B and 6B pencil, so I learned the importance of having different grades of pencils. The portrait required more time in capturing the highlights and shadows. I also had a slight problem with measurements, as the eyes were a little out of proportion. I learned to spend more time in studying shading and to be stricter with my measurements. After drawing this portrait I then photocopied it. Working with the photocopies I tried to capture mood atmosphere by adding colour. I used blue oil pastels in the picture which ultimately led to a colder mood. I also tried to get a different effect. After colouring the picture I scrunched up the paper into a ball and dampened it with water. This then led to cracks on the page which I felt added to the mood, perhaps suggesting a mood of feeling cold and broken, etc. I then used a photocopy to draw it in a larger scale and with different material. Drawing on a sheet of brown paper larger than A2 I used chalk pastels with colours like orange, yellow and blue to try and get different effects. However I soon learned that there is a right way and a wrong way to use brown paper. I used the smoother side of the sheet which led to problems. It proved very difficult to work with as the chalk did not stick well. Portrait of Mother Pencil Charcoal: with this piece I drew my mother from life at a profile view. This was the first time I had drew someone at this angle, so I was interested to see how it would compare with my previous portraits. I used pencils grading from 2B up to 6B. I also used a rubber for the strong highlights that appeared on her hair. I found it challenging doing a profile view. I found that I had to be much more aware of the measurements from the ear to the eye and from the eye to the bridge of the nose. This was quite a challenge but I feel I was quite successful in getting the measurements quite accurate. I achieved a likeness in the drawing to my mothers face so this I felt was an achievement. I then moved on to a bigger piece using this drawing as a guide. On A2 grey card, I created a charcoal copy of the drawing. First however, because of our schools lack of resources, I was restricted to using a sheet of card, which was of poor quality. It had a shiny texture that did no agree with the charcoal. To solve this problem I mixed grey paint with sand. This changed the colour of the sheet but also made it rougher to allow the charcoal to stick. My measurements were a little off this time leading to a failure in getting a likeness to the model. I used the black of the charcoal for the dark shadings, the grey pain acted as a medium and I used white chalk for the highlights. From this I learned that it is possible to create better textures with the use of substances such as sand mixed with paint. I also learned that I have to be even stricter with my measurements as the charcoal piece was less accurate in comparison to the pencil drawing. Portrait of Tom: I drew a classmate from life using charcoal. When drawing this I wanted to explore different effects from light. I did it in a dark room with one office lamp. I feel I was quite successful in getting a likeness. My proportion has become more accurate. I then painted a final piece from this charcoal drawing. This I found a challenge as it is the largest portrait I have done yet. My aim was to get a Lucian Freud look and feel to it. I painted on the background first as I had learned from the past that it was easier to work in this progression. I painted thick brush strokes to create texture. I used shades of cream and pink for the skin colour. Then for the highlights I mixed sand with paint to give more texture to my paint to imitate the texture of Freuds cremnitz. I enjoyed working with this as it created an unusual and interesting texture. It proved to be effective in contrasting the highlights with shadows. The size was important as I wanted to experience with working on something large scale also I felt it would have a larger impact.

Compare racial and cultural struggles in Alice Walker’s The Color Essay

Compare racial and cultural struggles in Alice Walker’s The Color Purple as well as Toni Morrison’s The Bluest Eye. In African-American texts, blacks are seen as struggling with the patriarchal worlds they live in order to achieve a sense of Self and Identity. The texts I have chosen illustrate the hazards of Western religion, Rape, Patriarchal Dominance and Colonial notions of white supremacy; an intend to show how the protagonists of Alice Walker’s The Color Purple as well as Toni Morrison’s The Bluest Eye, cope with or crumble due to these issues in their struggle to find their identities. The search for self-identity and self-knowledge is not an easy task, even more so when you are a black woman and considered a mule and a piece of property. Providing an in depth analysis of these texts, this essay attempts to illustrate how both of these Afro-American writers depict and resolve their respective protagonists’ struggles. Religion is believed by many to serve as a means to achieving or finding self or identity. However, in the Euro-influenced Christian religion especially, directly after ‘finding one’s self’, one is called to deny one’s self in the name of a white ‘God’. ‘Humble yourself and cast your burdens to God’ they say, for ‘He will make all wrongs right’. Logically however, one must ask†¦what interest does the white God (who is especially portrayed in Afro-American writings such as The Color Purple and The Bluest Eye as a further extension of Patriarchal values) have in black people? Moreso, if the Christian bible is so heavily influenced by white man, what interest does the God it portrays have in black women? In The Color Purple, Celie’s original intended audience is a white, male God w... ... the voiceless, to overcome the patriarchal oppression and gradually find her ‘Self’. Bibliography Cutter, Martha. Philomela Speaks: Alice Walker's Revisioning of Rape Archetypes in The Color Purple - Critical Essay. MELUS, Fall – Winter, 2000. Davis, Thadious M. Walker’s Celebration of Self in Southern Generations. Hooks, Bell, ‘Writing the Subject: Reading The Color Purple’, in Bloom, H., ed. Modern Critical Views: Alice Walker, New York, 1989. Katz, Tamar. â€Å"Show Me How to Do Like You.† Didacticism and Epistolary Form in The Color Purple. 1988. Morrison, Toni The Bluest Eye, London: Picador, 1990. Peach, Linden Toni Morrison London: MacMillan, 1995. Shakhovtseva, Elena.  «The Heart of Darkness » in a Multicolored World: The Color Purple by Alice Walker as a womanist text. Walker, Alice The Color Purple London: The Women’s Press, 1986.

Free College Essays - Roles of Cassio, Roderigo, and Brabantio in Shakespeares Othello :: GCSE Coursework Shakespeare Othello

Roles of Cassio, Roderigo, and Brabantio in Othello         Ã‚   From Shakespeare's play Othello, this paper will be discussing the roles   Ã‚   of Cassio, Roderigo and Brabantio, and their functions.      Ã‚   First, Cassio. Cassio is an honourable lieutenant and a soldier, who is   Ã‚   very loyal and caring towards his commanding officer, Othello, as shown   Ã‚   in one of many places, act two scene one line 45-48 when he is concerned   Ã‚   about Othello's well being because he has been lost at sea and says:    Thanks, you the valiant of this warlike isle, That so approve the Moor! O, let the heavens Give him the defense against the elements, For I have lost him on a dangerous sea       In the beginning of the play Cassio is appointed to the position of    lieutenant by Othello, so Cassio at first has his highest respect, until    later in the play where Othello believes he is having an affair with    Desdemona. Cassio's role in the play is not one of the extremely    important ones. His main function is to be a figure who's actions are    partially responsible for Othello believing that his wife is cheating on    him. For example, Cassio asking for Desdemona's help leads to the two of    them being seen together, which is in act three scene three line 35. In    the end of the play, Cassio becomes the governor in Cyprus after the    former Governor, Othello, commits suicide, in act five scene two from    line 366-378, which shows another of his functions, to act as one of the    means which ties up the loose ends at the end of the play.      Ã‚   Now, Roderigo. Roderigo is a foolish, cheated, gulled, dimwit.   Ã‚   Basically, his function in the play is to act as a lackey towards Iago.   Ã‚   His obedience towards Iago can be compared to that of Lennie Small   Ã‚   towards George Milton in the book Of Mice and Men, By John Steinbeck.      Ã‚   He does whatever Iago tells him to do, consistently in the hope of   Ã‚  Ã‚   obtaining Desdemona's love. He never realizes that his chances for ever

Durgapur of India Essay -- essays research papers

Durgapur of India Home is where the heart is, and for someone, who has been born and brought up in a place, for someone who has seen the city striking roots amidst the social milieu and become a part of the lives of the people it sustains, the home is a synonym for the heart. Durgapur is a city that matches up to all the above protocol, as far as I am concerned. I used to hear from my grandfather about his journeys to the Bankura High Court, back in the 1930’s. People had to disembark from a train at a halt, not even a stop, called Durgapur. Dense, forbidding forests encircled the railway clearing. There would congregate a myriad assemblage of travelers, and when the group became a multitude, they would set off on bullock carts across the forest which was Durgapur. People had their hearts within their mouths for behind the thick crochet of bushes and the sal and seesam trees lurked many a critter and the abominable brigands, who threw stout sticks at the ankles and then looted the incapacitated victims. Downright chilly, I guess it was. Then came the transformation, thanks to the visionary endowments of one man, Dr. B.C.Roy. He seems to have realized that a state cannot be sustained by a lone city of opportunity. Other cities had to be developed, and if need be, set up. Durgapur falls under the second category of his achievements. And what an achievement it has been. From a sprawling wilderness, it has developed and how! In terms of commerce and industry, it is oft compared to the Ruhr in Germany. Today it houses around 60 large and medium sized industries and umpteen smaller ones. Everything from steel, power, natural gas, paper, chemicals to biscuits, cement and software can be found under production in this city. The f... ... generally associates with an industrial city. Stadiums have been built and the city plays host to many cultural and sports meets. Its political impact is also on the rise and more than 2000 crore rupees have been pumped into it for the last three years. There are clubs for those prefer to be social. Otherwise it is a retreat for sages. The serenity, the almost deafening silence, soothes ones senses. Violence and excitement are concepts alien to Durgapur. Durgapur is where you can still witness the seasonal changes and the city changes likewise. From scorching summers, punctuated by primitive thundershowers, to the aesthetic fall, to the chilly winter – you can feel it all. Durgapur is a supreme fusion of the essential and the ethereal, a fusion I’m proud to be part of. The city endears people, rekindles lost emotions and insurrects new ones, fond ones.

Product Quality

Does product quality guarantee the success of a business? Various factors are analyzed to examine whether or not a good quality product by itself can propel a business into success. A product of good quality can be defined as one that best satisfies the consumer’s needs at the price they are willing to pay. While it is integral to business success, it is certainly not the only factor that guarantees it, simply because businesses function as an integrated whole, and the success of only one part does not guarantee success of the entire organization.Business success can be referred to as an achievement of common objectives such as profitability, growth, or increasing market share. A good quality product undeniably brings positive contributions to the success of a business. One benefit is customer satisfaction. Once they are satisfied with the product, the customer will be likely to make repeat purchases, and over time develop a strong loyalty towards the brand. When the business has a reputation for producing good quality products with a strong customer base, it establishes itself in a strong position in the market, giving it the opportunity to increase its market share.As a result, retailers would be more willing to stock their products, giving the business more options in terms of the channel of distribution, and thus giving them a competitive advantage. This can also lead to marketing economies of scale, whereby a cross marketing of brands can be used to strongly promote different products simultaneously because an overall positive brand image has been created. Another cost saving is that fewer complaints will need to be dealt with, and because of this, fewer repairs and wastage costs will be incurred.These savings of average costs could then be kept as retained profits, or invested in business growth, proving beneficial to business success. Read more in Business  « Globalization: A Natural Phenomenon Establishing Business Communications in an Emerging Company  » It is evident, then, that businesses must find some sort of way of monitoring quality that best suits them to ensure quality products are consistently produced. This could involve quality control, where inspectors check a sample of finished products for defects, or quality assurance, where quality is the responsibility of each worker and is built into the production process.Quality control could perhaps work better with management that believe in a more strictly controlled work environment, whereas quality assurance works better if management empower and trust workers more, allowing them participation in the improvement process. Provided these methods are implemented well enough, and are appropriate to the corporate culture of the business, this crucial aspect influencing business success can be ensured.However, because businesses operate in complex environments there are many other contributing factors to business success, which, if not integrated with good product qu ality, will have negative effects. From a marketing perspective, in the research and development stage, market research must be conducted accurately to predict demand; otherwise, even if a very good quality product is produced, if a target market is not defined or there is no demand for it at all, then the product will fail.In the development process, value analysis should be conducted, where the appearance, performance and the economy of manufacture of the product should be compared to achieve an ideal balance. If the business solely relied on product quality, it would focus on appearance and performance and neglect the economy of manufacture, which could lead to the production of a good that customers find to be of high quality, but costs so much to produce that it is not profitable to the business, and not worth making.

Ordering system Essay

Online Ordering Bookshop system is commonly used by most of the establishment. The group dedicated to convert the manual system into automated system because most of the establishments are now using automated system. In the present generation there are many instant ways on how to buy stuff. Going directly to the store is sometimes a hassle thing to do. You would feel disappointed if the product that you want is already out of stock. In order to lessen the inconvenience, most businesses implement an ordering system through phone, and through innovations of technology, some businesses today are engaging in an online ordering system to help them monitor their products easily and give their customers better service. There are still many businesses today which are not aware of what online technology to apply to their business. 1.2 Problem Statement A purchasing system is an important tool for businesses that can be critical for a healthy business operation. It primarily helps vendors to offer their products online, thus, reaching more possible customers. Considering the advantages of having an online purchasing system for stores, still a lot of businesses are not able to enjoy its benefits mainly because of costs from the development and maintenance of such systems. With this reality, only those big businesses are able to profit from this system, widening the gap of the competition. 1.3 Objectives of the Study 1.3.1 General Objective The goal is to develop an online business platform for book vendors and book enthusiasts. 1.3.2 Specific Objective To comply with the general objective, the study must accomplish the following: 1. To create a system that will register different book vendors and their products that will be available for sale online. 2. To create a system that would allow customers to browse, search and buy offered products. 3 Design a system that could generate reports for reference of parties involved. 2 1.4 Conceptual/Theoretical Framework The concept used is the Input-Process-Output (IPO) by Kenneth E. Kendall and Julie E. Kendall (1997) in their book entitled â€Å"SAD 3rd Edition(1997)† referred to as an overview diagram. InputProcessOutput Figure 1.0 Conceptual Framework Figure 1.0 show the theoretical framework that was followed in the development of the system. The input phase shows where the data and information was gathered. The process phase includes the analysis of the acquired information’s as well as the development, design and testing of the system. The output phase will be the proposed study. 3 1.5 Significance of the Study The proposed system will be beneficial to Book traders that can’t afford the cost of developing and maintaining their own purchasing system and for book shoppers who wanted a one-stop shop for their favorite/needed reading materials. 1.6 Scope and Limitation The scope of the proposed system resides on the ability to cater purchases online and generate reports of registered users/vendors, added products and the transactions occurred. This study mainly focuses on the concept of online purchasing, thus, delimits the actual inventory of the products per see. 4 1.7 Definition of Terms Application – A computer program with a user interface. Develop – To bring from latency to or toward fulfillment Diagram – A plan, sketch, drawing, or outline designed to demonstrate or explain how something works Figure – A written or printed symbol representing something other than a letter, especially a number. Framework – A fundamental structure, as for a written work. Generate – To produce as a result of a chemical or physical process Information – Knowledge derived from study, experience, or instruction. Input – Something put into a system or expended in its operation to achieve output or a result Inventory – A detailed, itemized list, report, or record of things in one’s possession, especially a periodic survey of all goods and materials in stock. Internet – An interconnected system of networks that connects computers around the world via the TCP/IP protocol. Online – Connected to a computer or computer network. Output – The information produced by a program or process from a specific input. Phase – A distinct stage of development Process – A running software program or other computing operation. Scope – The area covered by a given activity or subject. System – An organized and coordinated method; a procedure Transaction – A record of business conducted at a meeting; proceedings. 5